The $5 Photo Accessory (that could save your life)

As nature, landscape, and wildlife photographers we often place ourselves in locations and situations that are a bit off the beaten path. When we do go out to make photographs it is worth thinking a little about possible contingencies and how we will handle them should something occur.  As the most basic precaution, I consider one of the least expensive pieces of gear a photography essential, the simple whistle.

In our modern society, we tend to take our safety or our ability to rapidly communicate for granted.  Sometimes that is the case.  For example, if you are out with me you know you are with an instructor who is certified in CPR and first aid, has had extensive survival training, and handles high stress situations well.  More often though, most photographers think if they have their cell phone they are ready and help is just a call away.  But it is amazing how often we find little to no cell coverage, a dead battery, or a situation where the phone is just out of reach.

As a pilot, I learned to plan for contingencies and to prioritize redundancy in safety or communication systems.  To back up your phone one of the simplest preparations you can make is to carry a whistle when you go out to make photographs.  Survival situation after survival situation has proven that a whistle is a "must have" piece of gear.  Look at any list of items you should have in the field or wilderness and a whistle will be on it.  Oh by the way, it is not enough to have the whistle with you, have it on your person and easily accessible with either hand.

Photographers in the field are just like hikers, campers, and other outdoor enthusiasts.  Interestingly, they tend not to think of themselves as such because our hobby, passion, or profession is so dependent on high tech gear.  But in most cases there is no difference. As an example, Hal has a friend in Alaska who recently almost lost his life while out in the wild.  Overcoming incredible odds he was rescued and recovered, but only because of his whistle.  He was in a bad position and the only way he could try and find help was to blow his whistle.  He blew for over an hour and finally someone heard and investigated. They joked afterwards that his whistle was the $2 accessory that saved his life.  Pretty amazing considering the guy had thousands of dollars of other gear with him. It is also worth mentioning that Hal's friend broke one of the cardinal rules, he went out alone without using the buddy system (the topic of another post.)

So when you are packing up the camera, lenses, and tripod, make sure to put a simple whistle in your pocket.  If you ever run across him in the field, ask Hal to see the four essential pieces of shooting gear: Hoodman HoodLoupe, cell phone for DOF calculations/comms, a good knife, and a whistle.

Always remember making the photograph is optional but making it home is mandatory. (Paraphrased from my mountaineering buddies.)

Fiat Lux!

New RRS Tripod and Ben Willmore/Light Review from Joe

Really Right Stuff recently released their new travel tripod.  The link will take you to their description and also to a great review.  Joe Jr. joined LIGHT and Ben Willmore recently for a week long class and attached a review in the RRS newsletter.

RRS Newsletter (link no longer available... sorry!)

Cannot wait to get my hands (and camera) on this tripod.

Fiat Lux!

Tethered Shooting Spacer

I have always found it a bit unwieldy when shooting in a vertical/portrait orientation with a tethering cable attached.  Recently, Really Right Stuff (RRS) made the perfect solution and I was fortunate to shoot with the Cable Release Spacer (CRS) today. 

The CRS attaches to a standard L-bracket and adds about 1.25" for your tethering cable.  It also has a small locking bar to "lock" your cable to the spacer.  This is great since any tugging on the cable can easily damage your camera's ports, a very expensive fix by the way.

Vertical orientation. The CRS firmly attaches to your L-bracket for stability.

 Horizontal orientation, not much change but cable is firmly attached.

If you are a tethered shooter and are tired of dealing with work arounds for your cable when shooting vertically, pick up a RRS Cable Relief Spacer and all is good.

Click here to visit the RRS site.

Fiat Lux!

Essential Gear (Thoughts after four shooting classes)

We recently finished a series of four shooting courses here at Light and there is one piece of gear that is consistently needed.  Regardless of subject, technique, camera, etc. the HoodLoupe is a must have.

I did a video last summer regarding the HL (HoodLoupe Video) and every shooting session reconfirms. 

There is such critical information available to us on the LCD whether in Live View before the shot or when reviewing images/histograms after the shot; try not to pass it up.  The loupe will help you eliminate distractions and overcome bright lighting conditions to focus on the LCD.

As you know, I am always a full disclosure guy.  Hoodman does not compensate me for endorsing their gear.  It is just the best stuff out there. 

If you do not have one yet, just do it.

Fiat Lux!

Bull

The Ultimate Pano - Gimbal Head

The ultimate panorama and gimbal head is shipping very soon.  The PG-02 from Really Right Stuff is awesome.  I had the opportunity to test the PG-02 prototype during my yacht-based photo tour to Alaska this past spring.

The PG-02 prototype with Canon EOS 7D and EF  800mm f/5.6L

In addition there is a RRS long lens stabilization kit attached. 

As many of you know I do not beat around the bush with most of my opinions and recommendations.  So in a quick few sentences here you go.

Image from PG-02 mounted Canon 1D Mk III with EF 400mm f/2.8L

Image from PG-02 mounted Canon 1D Mk III with EF 400mm f/2.8L

For the long lens action shooters, this is the best gimbal head available.  I compared head to head with the other industry leading options, in the field, with big bodies/long lenses (Canon 1D series and up to the EF 800mm f/5.6L,) shooting high-speed, high track crossing rate action, and from a moving (forward, roll, pitch, and heave) platform.  There is no comparison.  The Really Right Stuff PG-02 is the best.  Well balanced, smooth, and silky the PG-02 was incredible.

For the panorama shooter, the PG-02 is a multi-axis pano head.  Equivalent performance to the Really Right Stuff Omni Pivot Pro Pano Kit.  Shooters can easily locate their no parallax point/entrance pupil and align it with the axes of rotation.  As a pano shooter, this is great gear since it not only performs equal to other RRS pano gear but does triple duty: pano, gimbal, and video.

For the video shooter, the PG-02 is the smoothest, silkiest pan you will experience.  Moreover, the pan glides perfectly regardless of the overall tension on the head.  Whether loose or tight, you will not experience any kind of jerking or sloppy pan.

For audio or additional gear, there is another threaded screw on top of the vertical arm that accepts equipment directly or even another ballhead.  In the field, we mounted another ballhead as well as small, point and shoot cameras to capture action as we worked the main body/lens.

Image from PG-02 with Canon 7D and EF 800mm f/5.6L

As you know, I always give full disclosure.  Really Right Stuff does not pay me to endorse their gear.  I use it because it is the best.

Check out the PG-02 at the following link.

RRS PG-02

I will demonstrate the PG-02 at the California Photo Festival next week.  There are still spots available so join us 

California Photo Fest

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Fiat Lux!