Her Name Was Lola, She Was a Showdog

Spent the afternoon with Lola, the number five French Bulldog on the U.S. show circuit.  This was the first time we brought a dog into the studio and it was a great experience.  We used four lights to try and make Lola look her best.  There was a fill light provided by a ProFoto head and a small Creative Light Softbox.  A main light from the dog's right was a 580 EX II and Westcott softbox.  The two rim lights set approximately 45 degrees off Lola's tail end were also ProFoto/Creative Light combos.  We used a black backdrop and had Lola on a black velvet covered table.   

I used the Canon 5D Mk II with the EF 70-200mm f/4L and a Pocket Wizard. I had the rig tethered so we could see the results of the shot on a 17" laptop screen. Shooting tethered provides some great benefits as you can immediately use either ACR or Lightroom's Develop Module to verify and fine tune your exposure and lights.  Working a tethered system is surpisingly easy.  For Canon shooters the software comes with your camera and all you need to connect is a USB cord (get a long one.)  For Nikon shooters you do need to purchase additional software but the setup is just as easy. 
  
We look forward to working with Lola again and any other showdogs and pets out there.  OBTW, we also shot in the studio this morning, radically different subject matter though.  An example is shown below.
This is, of course, not Lola but another tremendous local model. 
 
Have a great Labor Day Weekend.  We here at Light will be in class with a full digital darkroom learning Total Workflow with Adobe Photoshop Lightroom. 
Fiat Lux!

Another Submission from the HDR Intensive Week

"Saddle Up"
 ©2009 Kathleen Brennan
Kathleen Brennan submitted these images she took while here at Light for the HDR Intensive week.  Kathleen took several source shots and then merged them to HDR and tone mapped the image a couple of times.  She stacked the different results in Photoshop and then went to work.  Looks like some blend mode changes, adjustment layers, and good masking.

Nice work, Kathleen!
OBTW, HDR Intensive again later this month.

The two, differently tone mapped versions.

One More Interesting Note on Gear

From a shoot this AM for a local ranch. Straight from LR.  Yep, the sky was that blue.
Canon EOS 5D Mk II, EF 24-70mm f/2.8, 580 EX II, Hoodman RAW CF, handheld
Thanks to everyone for a great Monday Night Light.  Expect the video recap up tomorrow AM.

As many of you know, I shoot Hoodman RAW cards exlusively. I did a lot of research before deciding to go with Hoodman and I am very happy I did.  The main reason I chose Hoodman was for reliability, these cards do not fail!  Operating the Institute and Light now for almost 2.5 years I've recovered (or tried to recover) files from every card manufacturer except Hoodman.  They are slightly more expensive but I think worth every penny.  We spend a lot on our camera kit, travel, etc., too much to have a card go bad and lose images.  I also chose the Hoodman card for their speed.  I could never quantify exactly how fast until I read the attachment below.

I received this article from the September issue of Rangefinder magazine describing the Hoodman CF card speed and performance compared to many other brands.  Please take a minute to read the article and get to know the CF card a little better.

Hoodman Speed Article

Cheers!

Hal